The toilet of Venus, also known as the "Venus de Milo," is a famous ancient Greek statue that was discovered on the island of Milo in 1820. The statue, which is made of marble, depicts the goddess Venus, the Roman equivalent of the Greek goddess Aphrodite, in a seated position with her arms missing. The statue is thought to have been sculpted sometime between 130 and 100 BCE and is now housed in the Louvre Museum in Paris.
There are several theories about the purpose and meaning of the toilet of Venus. Some believe that it was a decorative piece for a wealthy individual's home, while others argue that it may have served a more practical purpose as a toilet seat or throne. It is also possible that the statue was intended as a depiction of Venus as the goddess of love and beauty, with the missing arms possibly representing the goddess's ability to attract and win the hearts of those around her.
Despite the uncertainty surrounding its original purpose, the toilet of Venus has become a cultural icon and one of the most recognizable works of art in the world. It has inspired numerous copies and adaptations, including a popular advertising campaign in the 1970s that featured a woman sitting on a toilet while holding a Venus de Milo statue.
In addition to its cultural significance, the toilet of Venus is also notable for its technical and artistic achievements. The statue is highly detailed, with intricate carving and subtle modeling that give it a sense of movement and vitality. The sculptor was able to convey a sense of weight and balance in the figure, despite the missing arms and the fact that it is carved from a single block of marble.
Overall, the toilet of Venus is a fascinating and enduring work of art that has captured the imagination of people for centuries. Its mystery and beauty continue to inspire and captivate, making it a timeless masterpiece that will likely be admired for generations to come.
This is the last painted image of the King by the man who served as his court artist from 1623. La griffe du peintre: La valeur de l'art 1730—1820. Merchants and Masterpieces: The Story of The Metropolitan Museum of Art. The Metropolitan Museum of Art: A Catalogue of French Paintings. The principal figure, delicately painted and largely nude, is surrounded by swaths of pink, blue, and striped white gauze drapery which are carried over to the companion picture. His limp body, tilted head and pained expression show his exhaustion and suffering.
François Boucher, premier peintre du roi, 1703—1770. Galeries nationales du Grand Palais. All oil painting reproductions of The Toilet of Venus, also known as The Rokeby Venus can be customized with various options of sizes and frames, original size 123 cm 48. Wehle in French Painting and Sculpture of the XVIII Century. According to the intellectual property rights, we will only sell artworks in the public domain which means the original artists died no less than 70 years.
Michel Hilaire and Paul Perrin. We are not sure when and where the painting was made. Corinne Le Bitouzé in Creating French Culture: Treasures from the Bibliothèque nationale de France. Cupid, her son, holds a mirror up to her, its intertwining pink ribbons — used to hang it on a wall — knotted at the top. The Houses and Collections of the Marquis de Marigny. New York, 2019, p. This imagery is based on the New Testament Book of Revelation.
The Toilet of Venus, also known as The Rokeby Venus by Diego Velázquez Painting Reproduction
How to Know French Antiques. The Metropolitan Museum of Art: Masterpiece Paintings. In spite of this the king, and wealthy Spanish art collectors in his circle, did own mythological paintings depicting nudes by artists such as Rubens and Titian. Return Policy Item can be returned within 30 days or if damaged in shipping. . Katharine Baetjer in European Masterpieces from The Metropolitan Museum of Art, New York.
. François Boucher: Seductive Visions. South Brisbane, 2021, pp. Each painting reproduction of The Toilet of Venus, also known as The Rokeby Venus will be done by experienced and talented artist, totally hand painted with eco-friendly oil paints on canvas. New York, 2019, pp. Then we add finishing touches like a wall hanging mount, wall friendly bumpers and a protective backing. The Bath of Venus, in Washington, is a woodland scene with a small shallow pool in the foreground and shows the seated goddess accompanied by Cupid with his quiver of arrows and two other winged putti.
Michel Hilaire in Frédéric Bazille 1841—1870 and the Birth of Impressionism. Carol Santoleri in Katharine Baetjer. Los Angeles, 2011, p. New York, 1980, p. . François Boucher: gravures et dessins provenant du Cabinet des Dessins et de la Collection Edmond de Rothschild au Musée du Louvre. The pearly tones of her smooth skin contrast with the rich colours and lively brushstrokes of the curtain and sheets.
New York, 1977, pp. A maid pounds garlic in a mortar, and other ingredients lie scattered on the table: fish, eggs, a shrivelled red pepper and an earthenware jug probably containing olive oil. Wertheimer, London; sold by 1895 to Mrs. Los Angeles, 1997, p. Enchanted Islands: Picturing the Allure of Conquest in Eighteenth-Century France. . For any items damaged in shipping, the shipping box must be retained in order for us to process a refund or exchange.
. New Haven, 1995, pp. The Toilette of Venus is the more famous work, less typical of the artist in its lavish, expensive neo-rococo taste. Venus, the goddess of love, reclines languidly on her bed, the curve of her body echoed in the sweep of sumptuous satin fabric beneath her, which was originally more purple than grey in tone. Minutiae at the Met. Soon afterwards the painting was purchased by renowned art collector Gaspar de Haro, 7th Marqués del Carpio y de Heliche, in whose collection it was paired with a sixteenth-century Venetian picture of a naked nymph in a landscape, seen from the front. June 27, 1764, no.
The Metropolitan Museum of Art. Philip IV, King of Spain, and his entourage are hunting boar in a forest clearing. In it, Saint John the Evangelist records his vision of the Woman of the Apocalypse, who bears a male child and is threatened by a dra. Denys Sutton in Paris—New York: A Continuing Romance. L'art du dix-huitième siècle. The house and outbuildings were constructed and the gardens planted between June 1748 and November 1750. A Concise Catalogue of the European Paintings in The Metropolitan Museum of Art.