The readers movie. The Reader (2008 film) 2022-12-12
The readers movie Rating:
The Readers is a thought-provoking and emotionally charged movie that delves into the complex relationship between literacy and power. Set in the late 1950s, the film follows the story of a group of illiterate adults who come together to learn how to read and write under the guidance of a compassionate and dedicated teacher, Miss Della Penna.
Through the experiences of the main characters, the movie explores the ways in which illiteracy can be a source of shame, isolation, and disadvantage in society. Many of the students in the film have faced discrimination and stigma due to their inability to read, and have struggled to find jobs or advance in their careers as a result. The film shows how the act of learning to read can be a transformative experience, not just for the individual, but for their entire community.
One of the most compelling aspects of The Readers is its portrayal of the bond that forms between the students and Miss Penna. Despite the challenges they face, the group becomes a close-knit community, supporting and encouraging each other as they work towards their common goal. Miss Penna, in turn, becomes a mentor and role model for her students, offering them hope and a sense of purpose.
However, the film also touches on the darker side of the literacy struggle. The community in which the students live is resistant to change and resistant to the idea of education for adults, and the group faces opposition and even violence as they try to pursue their studies. This serves to highlight the societal barriers that can prevent people from achieving their full potential and underscores the importance of access to education for all.
Overall, The Readers is a powerful and poignant film that highlights the transformative power of education and the enduring bonds of community. It is a poignant reminder of the importance of literacy and the ways in which it can shape and enrich our lives.
The Reader (2008)
When Michael tells his law professor, he tells him his moral obligation is to inform the court. I was fearing that the film would often be rather dull, so I'm rather relieved to find adequate entertainment value on the whole, but when Stephen Daldry's storytelling loses its grip on realized thoughtfulness, momentum takes a serious dip, at least enough for you to soak in the minimalism of the dramatic material to begin with. Seriously though, you do know that this is going to be quite the weighty drama, not necessarily because it's about Nazism and all of that jazz, but because it's a romantic drama starring Kate Winslet. The real twist comes when the relationship ends and Michael goes off to college to study law. Nonetheless, it is secured, and, needless to say, it wouldn't have been were it not for some pretty solid strengths, including stylistic ones.
Visual artistry helps in selling the era and tone of this period drama, as does musical artistry, for although Nico Muhly's score is far from unique, its following that the tensely light classical formula which is typical for modern Nazi dramas remains lovely enough to liven things up through and through, and resonate when the film is more realized in its dramatic storytelling. The film is more of a mess than many let on, but where it could have slipped as downright underwhelming, shortcomings are met with enough inspiration to transcend as consistently compelling. Again in 1995, Michael is reserved around women, divorced, and estranged from his daughter. Goldbeck, Stefan Hauck, Erwin Prib and Yesim Zolan. She left a crude will, gifting a tea tin with cash and the money in her bank account to Ilana.
Michael weeps from the gallery. The lead judge asks for a handwriting sample, ashamed, she avoids this test by testifying she wrote the report. The professor is frustrated with him for not having spoken to Hanna, so he tries to visit her in prison, but cannot face her and leaves her waiting. Not nearly what I was expecting from this film, it definitely deserves the attention that it received and will continue to be one of the best films from all those involved. Involved in a trial for Nazi war crimes, Michael makes a shocking discovery that changes the course of his life and the rest of the film. Michael arrives at the prison with flowers on Hanna's release day, but is told she has hanged herself.
The book is much more erotic. I was kind of expecting this film to approach its broad timeline in a nonlinear fashion, and for a long while into the final product, I was expecting it to take the much more episodic approach of segmenting its plot's layers, but when it comes down to it, the film awkwardly tosses in glimpses of a present of 1995 to break up flashback segments which, upon shifting, jar, and it doesn't help that each segment outstays its welcome to begin with. Fiennes, too, brings the film full circle in a way only he can, and with enough emotion to end up breaking your heart, Daldry achieves his gold of getting the viewer to feel for these characters. The film is so good so often, enough so to ultimately reward, but there are plenty of times where the film is - dare I say - kind of lazy, and its pacing problems make it limp enough, thus, the final product stands a serious chance of losing that reward value. She gets a life sentence for 300 murder cases, while the other defendants are sentenced to four years and three months each for aiding and abetting. Then Hanna mysteriously disappears, leaving Michael heartbroken and confused.
Michael finds Ilana in The film ends in 1995 with Michael driving his daughter Julia to Hanna's grave, telling her their story. Years later, Michael puts the books he had read to Hanna on tape. Ralph Fiennes plays brooding lead man Michael Berg, whose thoughtful performance bookends the film, as the rest of the story is told through flashbacks of his life, encountering the love his life in the much older Hanna Schmitz, played by the graceful and enigmatic Kate Winslet, who captures every essence of this role and makes it her own. Pleased to see him, she tries to reconnect, but Michael is distant. Daldry and Hare toured locations from the novel with Schlink, viewed documentaries about The primary cast, all of whom were German besides Fiennes, Olin, and Winslet, decided to emulate Kross's accent since he had just learned English for the film. She borrows the books from the prison library, teaching herself to read and write using Michael's voice.
Early on you realize Hanna's secret, but the film plays out as if you're not aware, which holds back the narrative slightly and causes for some anticlimactic revelations late in the film. These realized moments are by no means as recurrent as I hoped they might be in the efforts of a dramatic storyteller as talented as Stephen Daldry, but they are there, highlighting a play on style and delicate substance by Daldry which does justice enough justice to intriguing subject matter to compel much more often than not. Revolutionary Road and The Reader. A sexual coming of age for young Michael Berg David Kross , his relationship with Hanna stems off mutual pleasure in sex and reading, to which Michael reads to Hanna from the books he brings from school. Fiennes masters the default demeanor of someone perpetually pained.
She asks him to read to her from his school books. Hanna denies this, insisting that all the guards present agreed on the contents of the report. . He asks if she thinks about the past and Hanna asks if he means their past. Consequentiality is limited in this talkative human drama, and whether it be Bernhard Schlink's novel or David Hare's screenplay, the writing of this film's story typically tries to compensate through some serious melodramatics which seem to define much of the narrative, and therefore could have been embraced in the context of the final product if it wasn't so blasted generic. Minimalist and melodramatic, this film's story concept falls into a lot of threatening natural shortcomings, but as a portrait on secrets and justice which will define humanity and faith, this drama holds a potential that David Hare's script both mishandles - through structuring which is uneven in both focus and pacing - and does justice, with plenty of wit and well-rounded expository depth. She writes to Michael, gradually with more and more literacy, but he never responds.
Initially refusing, he later visits to say he has found her a place and a job. In 1988, a prison official contacts Michael, requesting his help with Hanna's transition into society following her release. Which is what Hanna did, although, of course, it's not shown in the film. When Michael finds her apartment vacant he is devastated. In 1966, a Hanna, unlike her co-defendants, admits that Hanna's co-defendants then all lie that she was in charge, and that she wrote the report. Michael Berg David Kross , a teen in postwar Germany, begins a passionate but clandestine affair with Hanna Schmitz Kate Winslet , an older woman who enjoys having classic novels read to her.