The looking glass poem summary. The Looking Glass 2022-12-14
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The Looking Glass is a poem written by Lewis Carroll, the author of Alice's Adventures in Wonderland. The poem is a play on words and explores the concept of reflection and how it relates to our perception of reality.
The poem begins by introducing the "mirror of the world," which is described as a "shining shore." This mirror reflects all that exists in the world, including people, animals, and objects. The poem then asks the reader to consider what they see when they look into the mirror.
The poem goes on to describe how the reflection in the mirror is not an exact copy of what is being reflected. Instead, it is a distorted version that is flipped horizontally. This means that the left side of the reflection corresponds to the right side of the object being reflected and vice versa.
The poem then asks the reader to consider whether they are the reflection in the mirror or the object being reflected. This question raises the idea that our perception of reality may not be accurate and that we may not have a complete understanding of the world around us.
In the final stanza, the poem suggests that the looking glass is a metaphor for how we perceive the world. Just as the reflection in the mirror is distorted and flipped, our perception of the world may also be distorted and incomplete.
Overall, The Looking Glass is a thought-provoking poem that encourages the reader to consider the nature of reality and how it is perceived. It challenges us to consider whether our understanding of the world is accurate and to question our assumptions about what is real. So, the poem summary of The Looking Glass is about the reflection, distortion, and the perception of reality.
Through the Looking Glass Summary
The narrator seems to be straining against their own impulses to keep things on a surface level, and it's an interesting point of tension in the story that seems to ask whether the narrator will actually be able to dive deeper and truly access Isabella's "profounder state. Alice finds herself in the company of the Red Queen and the White Queen, who question her relentlessly before falling asleep in her lap. He told, that to these waters he had come To gather leeches, being old and poor: Employment hazardous and wearisome! She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, She is near, she is near; And the white rose weeps, She is late, The larkspur listens, I hear, I hear; And the lily whispers, I wait. What the narrator does know is that Isabella is a rich spinster in her late fifties who has travelled and collected most of her belongings from around the world. The story concludes with another admonition that people should not hang mirrors in their rooms. The nursery rhyme records the traditional legend of enmity between the two.
What Is The Theme Of The Looking Glass By Kamala Das
Humpty Dumpty treats Alice rudely, boasting that he can change the meanings of words at will. It's interesting to note that this "challenge" comes not from any real-life action by Isabella, but rather, simply the narrator's imagined scene, in which Isabella hides the letter from view after reading it. GradeSaver, 21 January 2011 Web. Carroll however does not mention a passion-flower. Cite this page as follows: "The Lady in the Looking Glass - Summary" eNotes Publishing Ed.
Oxford University Press, 1979. Naik calls her a Confessional Poet and compares her with Robert Lowell, Anne Sexton and Sylvia Plath. Confused, she wonders aloud how to get to the garden, and to her surprise a Tiger-lily responds. The poem concludes with a prediction of transient nature of sexual love, a statement without which the poem would have lost its appeal and message. Humpty Dumpty asks her not to mutter to herself, and she expresses concern about him being seated so precariously on the wall.
The verse refers to the rivalry between the composers George Fredrick Handel and Giovanni Battista Bononcini. A living without life when you move Around, meeting strangers, with your eyes that Gave up their search, with ears that hear only His last voice calling out your name and your Body which once under his touch had gleamed Like burnished brass, now drab and destitute. Kamala Das herself was called upon to play such a role in a bond that she could not untie, and lifelong dissatisfaction was the result. Himself he propped, limbs, body, and pale face, Upon a long grey staff of shaven wood: And, still as I drew near with gentle pace, Upon the margin of that moorish flood Motionless as a cloud the old Man stood, That heareth not the loud winds when they call: And moveth all together, if it move at all. She sits and begins eating, but the party quickly devolves into total chaos.
Yet even in this imagined scene, the thoughts that the narrator imagines Isabella pondering are quite mundane: remembering minor social obligations or little errands she needs to do. The lines are quite ironical because the poet is not praising the qualities of a woman but exposing their reality. It is highly charged with pulse and power. She should not hesitate to stand naked before the looking-glass with him so that he sees it clearly that he is stronger and she is weaker, younger and lovelier. On the other side of the mirror, Alice discovers a room similar to her own but with several strange differences. The woman becomes a walking corpse. The White King tells Alice to cut the cake, but she finds that every time she slices the cake the pieces fuse back together.
Through the Looking Glass Chapter 6 Summary and Analysis
She has retained her awareness throughout — awareness of climax, awareness of the impending anti- climax, awareness of male-ego, awareness of mutual need and awareness of the transient nature of the physical act. A woman should praise the masculine prowess of the male and should notice the perfection of his limbs. Her predicament would lead her into a state of total despair so that her body, which was at one time irresistibly alluring, would then lose its charm and would become unexciting. Alice comes across the White King, who explains to her that he has sent all of his horses and men, presumably to put the shattered Humpty Dumpty back together again. Before she knows it, Alice finds herself in a boat with the Sheep, rowing down a stream. How a bank can repossess a home should a person fall behind in payments. He asks her how she knows this, and she says she read it in a book.
The poet has made deft use of alliteration throughout. Alice sits in her armchair at home, drowsily watching her pet kitten, Kitty, as she unravels a ball of string. The poem is unparalleled in its uninhibited expression of female sexuality. Alice reaches for the egg and finds herself back in the forest, where the egg has transformed into Humpty Dumpty. Come fill up my cup, etc. Come fill up my cup etc.
I gave his ear a sudden box, And questioned him again, And tweaked his grey and reverend locks, And put him into pain. Alice slips away and encounters the White Queen, who explains that time moves backward in Looking-Glass World. This also relates to the issue of childhood and the "fall of innocence" that accompanies the progression to adulthood. The narrator realizes that it was only the postman bringing letters for Isabella. He would then feel that she is not only satisfying his lust, but also hers. Despite the fact that Isabella's reluctance to share the letter and thus the details of her life is completely imagined, the narrator's response to this is quite violent. Since the narrator is relaying this line after experiencing a moment of supposed clarity about Isabella, it seems that the narrator thinks it was unwise for Isabella to leave the looking-glass out, since it supposedly allowed the narrator to glimpse the bleak reality of her lack of inner life.
Here, building on the previous hints that using a flower as a metaphor for Isabella is somewhat arbitrary and imperfect, the narrator seems to suggest that imagination is also a flawed tool. However, this imagined Isabella realizes that even if she must die, she will lie with and nourish flowers with her body. With proper assistance, you might have left off at seven. The narrator supposes that Isabella has many letters inside the drawers and cabinets that she has collected over her life, all tied with neat ribbons. It powerfully evokes the image of a lustful relationship between the two sexes.
