Salt caked smoke stack poem. John Masefield & Cargoes 2022-12-17
Salt caked smoke stack poem Rating:
The "Salt Caked Smoke Stack" is a powerful and evocative poem that speaks to the destructive forces of industry and the impact it has on the natural world. The imagery of the salt caked smoke stack is particularly striking, as it suggests a long history of pollution and neglect. The salt, a natural element that is essential to life, has been corrupted and turned into a symbol of industrial devastation.
The poem speaks to the way in which industry can have a destructive impact on the environment. The smoke stack, a symbol of progress and technological advancement, is also a source of pollution and environmental degradation. The salt that coats it is a metaphor for the way in which the natural world is being contaminated and poisoned by the actions of humans.
The poem also touches on the theme of loss and the way in which we are often willing to sacrifice the beauty and purity of the natural world in the pursuit of progress and prosperity. The salt caked smoke stack stands as a testament to our willingness to destroy what is precious and irreplaceable in the name of economic development.
Despite the bleak and depressing themes of the poem, it ultimately speaks to the power of hope and the possibility of change. The salt caked smoke stack is a reminder of the damage we have caused, but it is also a call to action to work towards a better and more sustainable future. By acknowledging the harm we have inflicted on the natural world and committing to change our ways, we can create a more healthy and harmonious relationship with the earth.
The British coaster, by contrast, would represent thousands of such ships, bringing useful products to market. . Dirty British coaster with a salt-caked smoke stack, Butting through the Channel in the mad March days, With a cargo of Tyne coal, Road-rails, pig-lead, Firewood, iron-ware, and cheap tin trays. . He was a versatile poet, novelist and journalist, and wrote and lectured for the government during the First World War after supporting the war effort as a hospital orderly in France. Alas, this is a momument of a poem.
I mean I recognize the beautiful craftsmanship but it leaves me feeling ashamed and sad to realize that Masefield's efforts at writting this poem and sending a message to us was. The Biblical city of Ophir, whose principal export was reputedly gold, was probably in the Persian Gulf rather than the Mediterranean, where Palestine is located. All those oars meant that the sailors were packed in like sardines, with little space left to transport anything. But alas I regret for the falling standards of n o t only English but everything. I would have been much more successful as a sea-gull or a fish.
. Hoppé in 1915 John Masefield 1878 — 1967 became Poet Laureate in 1930, and wrote novels and plays as well as poems. Stately Spanish galleon coming from the Isthmus, Dipping through the Tropics by the palm-green shores, With a cargo of diamonds, Emeralds, amethysts, Topazes, and cinnamon, and gold moidores. He is the seaman poet who suffered chronic seasickness; whose bestseller Gallipoli hailed that squalid massacre as a glorious victory; who died of gangrene brought on by a split toe. Comments are moderated, and will not appear until approved.
Some of these links are my affiliate links. The first three words, for instance, introduce an anachronism: Nineveh is in modern-day northern Iraq, but I assume that in the poem it stands in for the Assyrian Empire, which flourished in the three centuries before the Medes and the Babylonians destroyed it in 612 BC. Butting through the channel in the mad March days Mad? His parents died when he was young and he went to live with an aunt, who disapproved of his love of reading. He held a door for Lenin at the British Museum. The latter, a semi-autobiographical tale of the eponymous painter-cum-cabin boy, contains some of the truest, most beautiful images of the sea and seafaring: the swift ship Tore on out of the tropics, straining her sheets, Whitening her trackway into a milky strip, Dim with green bubbles and twisted water-meets, Her clacking tackle tugged at pins and cleats, Her great sails bellied stiff, her great masts leaned: They watched how the sea struck and burst and greened. . Nowadays it is difficult to credit his fame.
Palestine is rarely mentioned any more because some strangers came from far places many of them by ships not to buy spices but to occupy it. He was extremely popular in the first half of the century, and having lived a long life his popularity of course waxed and waned as did Tennyson's. More than any poet I can think of, his life and work straddle two irreconcilable worlds. We're not interested in your data You can use most of our website without any need to register. Quinquireme of Nineveh from distant Ophir, Rowing home to haven in sunny Palestine, With a cargo of ivory, And apes and peacocks, Sandalwood, cedarwood, and sweet white wine. We only collect the information we need to run the competition and we will not give it to anyone else without your express permission. .
Thank you, Alas, unlike most of the comments, I never had poetry introduced and read to me at school, some decicated chaucerian scholars and new age sci -fi afficionados - Ray Bradbury etc. What ships carry reflects the culture and technology of a civilisation. Suddenly dirty british coaster and smokestacks came into my head as a poem we were "encouraged" to learn at school. Not just because of it's subject imagery but also because of the images and memories it evokes for me of school days and memories of sunshine and gazing out of the high classroom windows at the wide blue sky and. Sassoon happened upon the style of his war poetry by lampooning it.
Currently, he teaches at. This entry was posted in. . We too learned to recite this and other poems. Carrol March Hares influence for fit - jumping seas. To this day he gets itemized as the original of the Georgian species, even though his first three books were, technically speaking, Edwardian.
This is a memorable little poem that leaves you itching to go off on a voyage to exotic lands! He served as writer-in-residence at University College, Dublin, taught at Wake Forest University, and co-held the Heimbold Chair in Irish Studies at Villanova University. Those early lyrics possess nothing of the tweedy hothouse pastoral of their age. He lost his son in WWII. By 1913, with fifty-four years still on the clock, his significant poetry had been published. But the quinquireme was invented by Dionysus of Syracuse in 399 BC, presumably an improvement on the Athenian trireme with its three rows of oars. . The coal, iron-ware and tin trays are consumer goods that even people like you and me can buy, because they are mass-produced and inexpensive.
Better, I suggest, to see him occupying a position within British poetry similar to that of Edward Arlington Robinson here: a minor poet whose career became an important stepping stone between the Victorian and the modern both Auden and Larkin acknowledged a debt , and who wrote a few gems of his own that remain unworthy of neglect. I recently read Hugh Aldersey-Williams, QUINQUIREME of Nineveh from distant Ophir, Rowing home to haven in sunny Palestine, With a cargo of ivory, And apes and peacocks, Sandalwood, cedarwood, and sweet white wine. Does any one of a certain age. Thanks FT Jim Hmmm. Devonport High School actually in Plymouth.