Character sketch of viola in twelfth night. Cesario (Viola) in Twelfth Night: Character Traits & Analysis 2022-12-11
Character sketch of viola in twelfth night Rating:
Viola, the main character in Shakespeare's Twelfth Night, is a complex and multifaceted individual. She is a strong and independent woman who is forced to disguise herself as a man in order to survive and find her place in the world.
One of the most striking aspects of Viola's character is her resourcefulness and adaptability. When she finds herself stranded on the shores of Illyria, she quickly comes up with a plan to disguise herself as a man and take on the role of Cesario, a page to the Duke Orsino. Despite the challenges and dangers of this situation, Viola embraces her new identity and uses it to her advantage, navigating the complex and often treacherous world of the Illyrian court with wit and intelligence.
Another key aspect of Viola's character is her loyalty and dedication to those she cares about. She is deeply devoted to her brother, Sebastian, and is determined to find him and reunite with him after their separation. She also becomes deeply attached to the Duke Orsino, and though she is in love with him, she is willing to put aside her own feelings in order to help him win the hand of Olivia, the woman he loves.
Despite her determination and strength of character, Viola is not immune to the emotions and desires of the heart. She is deeply in love with the Duke Orsino, and her love for him is a driving force in her actions throughout the play. However, she is also able to recognize the futility of her own desires and is willing to sacrifice her own happiness in order to help Orsino win the love of Olivia.
Overall, Viola is a complex and dynamic character who is able to adapt to any situation and overcome any challenge. She is strong, resourceful, and loyal, but also deeply emotional and passionate. Her journey through the world of Twelfth Night is one of self-discovery and personal growth, and it is this journey that makes her such a memorable and enduring character.
Viola in Twelfth Night: Character Traits & Analysis
The characters of Twelfth Night are varied in footings of their personality. . This backfires, as Olivia quickly becomes attracted to Cesario. See eNotes Ad-Free Start your 48-hour free trial to get access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts. These dramatists were well-educated scholars. Disguising herself as a adult male and going a retainer was a manner for her to acquire near to Orsino, and to somehow win his love.
Her twin brother Sebastian was similarly lost in the storm, and Viola is unsure whether he has survived. His drama is above categories of tragedy and comedy. This demonstrates that Viola is courageous but, like all of us, fears embarrassment. When we analyze and evaluate the Paradise Lost, we find all these characteristics in it. She shows self-control and dignity in contrast to the bombastic, overly sentimental performances of Orsino and Lady Olivia. This love triangle ensues throughout the play until Sebastian is thrown into the mix and the twins begin to be mistaken for one another.
Character Analysis of Viola in Twelfth Night by William Shakespeare
Only Viola seems to be truly, passionately in love as opposed to being self-indulgently lovesick. Wit was the synonym for scholar. Not gesture of the liver, but of the roof of the mouth, That suffers surfeit, cloyment, and rebellion ; But mine is all every bit hungry as the sea And can digest every bit much. Because of her camouflage, she has to be both herself and Cesario. Viola: My male parent had a girl loved a adult male ; As it might be, possibly, were I a adult female, I should love your Lordship. Orsino, the Duke of lllyria, is in love with the Countess Olivia. Later on Sebastian arrives.
Cesario (Viola) in Twelfth Night: Character Traits & Analysis
Therefore, she rejects him. John Lyly: As a dramatist Lyly occupies a p. The play shows that Olivia loves Cesario at the beginning. Viola is witty, resourceful, and charismatic. Viola keeps her true identity and self hidden. At the very least, it will entertain him. Viola has the courage to put on a mask.
His essays introduce a new form of composition into English literature. How do you think he feels when the truth of the letter is revealed? She is not sentimental in her love like Orsino or Olivia. Viola tries to deter Orsino from seeking to court Olivia. She is internally torn between two things: wooing Olivia for Orsino, thus fulfilling her role as his friend and page, and giving in to her own developing feelings for him. Throughout the play, Viola exhibits strength of character, quick wit, and resourcefulness.
It is an engrossing account of Asians in East Africa. He sees that Viola is about to duel Sir Andrew and tries to protect her from the duel. MAIN CHARACTERISTICS: We should cast a glance at the main characteristics of metaphysical poetry before we proceed to examine Donne a An astrologer passing through the village foretold that Velan would live in a three-storeyed house surrounded by many acres of garden. He is unsure if Sebastian is truly himself or someone else. Analysis Viola is not truly allowed to be herself until the end of the play. Which lines or phrases are most useful in helping you decide? As she says to Orsino, depicting her love for him: She pined in idea, And with a green and xanthous melancholy She sat like forbearance on a memorial, Smiling at heartache.
Not motion of the liver, but of the palate, That suffers surfeit, cloyment, and revolt; But mine is all as hungry as the sea And can digest as much. At what point in this scene do you think Olivia starts to fall in love with 'Cesario'? She disguises herself as a young man, calling herself "Cesario," and becomes a page to Duke Orsino. The drama shows that Olivia loves Cesario at the beginning. She invents a sister to express her disappointed love. Alas, their love may be called appetite. Boas says- Equally removed from the Duke…. Is he lashing out because he is hurt? As such, his love for Sebastian is based on a solid foundation of knowledge and friendship.
He advises how to overcome the vices of sublime. Viola is devoted to the Duke and expresses her love in an indirect and oblique manner. Through this clumsiness the reader can feel that Viola herself is a immature tenenager, possibly at the age of 17 and comes from a affluent household. This gives rise to many double entendres, which are full of pathos. Once again,when Olivia wants to know how much Orsino loves her,Viola says- With adorations,fertile tears, With groans that thunder love,with sighs of fire. It raises style above the ordinary. Antonio intervenes to support Cesario whom he thinks is his friend Sebastian, and is arrested.
It is those qualities that help her get into the service of Orsino in the first place, and also that cause Olivia to fall in love with her. The letter also includes directions for Malvolio that result in humor and bad consequences for him. She is a keen observer of life and world. This is also because she wants him to be happy. She has strong will power and she is the mistress of her will. Despite having spent most of the play as essentially a different character, Viola is the one who rings most true to herself and with the audience in the end.
Viola (Cesario) Character Analysis in Twelfth Night
In the 1600 's it was important for a woman of high status to have a man to speak for her. They expose us in our existential predicament. Even though 'Cesario' keeps telling Olivia 'he' cannot love her, Olivia refuses to accept this answer and keeps asking 'Cesario' to visit her again. Orsino is described throughout the play as an attractive, wealthy and decent man, but Olivia is confident in her rejection of him. Velan put down the basket, glared at his father and left the place. Olivia has met and was betrothed to Sebastian. She displays initiative and innovation in her unorthodox way of seeking employment! He introduces a female character at the beginning of a play then has her disguised as a man for the rest of the play until, in the final scene, she reveals herself as a woman.