Andreas gursky rhein ii. Rhine II by Andreas Gursky 2023-01-06
Andreas gursky rhein ii
Andreas Gursky's photograph "Rhein II" is a stunning and iconic image that has become one of the most well-known and highly valued photographs in the world. The photograph depicts the lower reaches of the Rhine River in Germany, with a seemingly endless expanse of water stretching out to the horizon.
Gursky is known for his large-scale photographs that capture the beauty and grandeur of the world around us. His images often feature sweeping landscapes or cityscapes, and "Rhein II" is no exception. The photograph is over nine feet wide, and the vast expanse of the river is captured in incredible detail. The photograph is a testament to Gursky's skill as a photographer, as he has managed to capture the beauty and majesty of the Rhine in a single image.
One of the things that makes "Rhein II" so powerful is the way it captures the scale and grandeur of the river. The photograph is almost overwhelming in its size and scope, with the river stretching out as far as the eye can see. The photograph is also notable for its exceptional clarity and detail. The water is crystal clear and the reflections on the surface are almost perfect, creating a sense of depth and realism that is rarely seen in a photograph.
In addition to its technical merits, "Rhein II" is also an important work of art. The photograph is a commentary on the impact of human activity on the natural world. The river is shown in a state of perfect stillness, with no signs of human activity visible. This suggests that the river is a natural wonder, untouched by the hand of man. At the same time, the photograph is also a reminder of the way in which humans have altered the landscape, with the massive power plant visible in the distance.
Overall, Andreas Gursky's "Rhein II" is a masterpiece of photography. It is an iconic image that captures the beauty and majesty of the natural world, while also making a powerful statement about the impact of human activity on the environment. The photograph is a testament to Gursky's skill as a photographer and a true work of art.
Andreas Gursky's Rhine II photograph sells for $4.3m
The earlier work has a slightly higher and flatter viewpoint and a more uniformly grey sky. . Gas Cooker is also one of his most 'simple' images as is a still life with a single object-as-subject instead of a scene exploring how the chosen subject interacts within its environment. The message is really quite simple here, one which was often leveled as an accusation. Chromogenic Print - Collection of the Tate, United Kingdom 2016 Amazon Amazon 2016 is a grand thirteen by eight-foot photograph depicting the inside of an Amazon distribution center in Phoenix, Arizona. Christie's described it as "a dramatic and profound reflection on human existence and our relationship to nature on the cusp of the 21st century". In the late 1990s critic Jerry Saltz gave Gursky and former classmates Thomas Ruff and Thomas Struth the nickname of "Struffsky," implying that the three German photographers were interchangeable because they were part of the 'Düsseldorf School', were classmates at Kunstakademie Düsseldorf, and worked with a similar aesthetic.
Andreas Gursky's "The Rhine II" Photography
An only child, he later moved with his family to the West German city of Essen followed by Düsseldorf in 1957. With his camera, he discovers various regions of our globalized world, makes connections between these regions and questions the role given to the individual in a world where economic-cultural integration is taking place. It is not a straight documentary but the details that are going together, they come from the real world and they exist. Six white poles in the middle and background break up the sea of color, moving the viewer's eye throughout the space and calling attention to the ". But what makes this photograph so valuable? By shooting from his signature perspective of elevated distance, Gursky first delivers to the viewer a scene of color juxtaposition and distinct fields of color, withholding actual clues about the true reality of the event and its participants.
Rhine II by Andreas Gursky
The river still ripples in an unruly surface though, reminding us we cannot control everything. As the assault of color dissipates the viewer discovers the presence of shoppers walking among the aisles. One of the challenges that faced the artists who made them was the need to marshal photography's abundant bits and pieces of descriptive detail into images that could command attention when viewed from a distance. The Message On the surface the message is clear, the human relationship with nature, a trope so often explored in Romanticism. The photographer places the primary emphasis on naturalism and the modern look. Occasionally he achieves the pattern with the help of digital techniques; in Rhine II industrial buildings have been eliminated from the background.
‘The Rhine II‘, Andreas Gursky, 1999
Well, that would make more sense, but no, not that we know of. The piece is a great example of Gursky's use of parts to inform a whole, relying on the exorbitant amount of boxed products to inform the overall composition through both color and form and compiling a message about human beings' role in consumerism. On the screen, it it hard to imagine the full force of the print but keep in mind its sheer scale. Only six prints have been made, four of which are in museums Museum of Modern Art, New York, Tate Modern, London, Pinakothek der Moderne, Munich, and Glenstone, Potomac , which partially justifies the price. By removing "the elements that bothered me" through the use of progressive digital manipulation technology, such as buildings and people, Gursky calls attention toward recognizing those everyday spaces we populate without any remarkable narrative or distracting action. Here's what we do know: The photo comes at the mammoth proportion of about 6-by-11 feet, and that's got to count for something. The same subject was treated by Anselm Kiefer born 1945 in his large book of woodcuts The Rhine, 1981 Tate T04128.
Andreas Gursky‘Rhein II”
The photographer captures the modern look of the river and makes viewers feel rather than see it. The piece becomes a study of the riveting sinews of physical form; the juxtaposition between color, pattern, and landscape; and an exploration of how humans physically reshape their environment, in this case for sport and entertainment. The artist's choice of perspective, distance, double exposure and his layering of some areas visually flattens the scene, causing the figures to melt together in clusters of yellow, orange, and blue. Andreas Gursky , Rhine II, 1999, private collection. The photo challenges us to see if we will look away, if we will take the easier path of finding something more appealing to rest our eyes on. Chromogenic Print - Museum of Contemporary Art Chicago 2005 Bahrain I Bahrain I, 2005 is a photograph depicting the motorsport racetrack that plays host to Bahrain's annual Formula One Grand Prix. Learn More Andreas Gursky created The Rhine II in 1999 that is actually a version of his earlier work.
Andreas Gursky. Rhine II. 1999
Andreas Gursky can be described as an extraordinary photographer who works in the age of globalization. Having a horizon right in the middle is something amateur photographers are told to avoid at all cost. The earlier work has a slightly higher and flatter viewpoint and a more uniformly grey sky. Artists also tend to support one of these views to this or that extent. Although the products displayed on shelves are different, the repetition of the architecture, color and signs shows little change in terms of the mass production and marketing in the years between the two. It feels bland, boring, and even depressing when you first see it. Details such a dog-walkers and factory buildings were removed by Gursky through digital editing.
Chicago Board of Trade II
His approach is nothing new as such renowned figures in the world of art as Charles Baudelaire and Peter Henry Emerson also claimed that art is and should be the tool to capture the natural complexity of the world through the lenses of contemporaneity. The Rhine is "one of the most symbolic motifs in German art," But Outred contends that this photo is exceptional: "One of the most powerful and profound depictions ever to be created of the Rhine, the photo's unique scale draws an ineffable link to the actual natural landscape, inviting the viewer to cross over into its vivid picture plane. Chromogenic Print - Private Collection 1998 May Day II May Day II depicts a crowd of people during a concert at Mayday, the oldest and most renowned German electronic music festival that draws thousands of people every year. This romantic hymn to the grandeur of the Rhine River emulates the haunting simplicity of abstract paintings by Barnett Newman and others, but the image is instantly recognizable as a landscape. Your support helps us to sustain DailyArt Magazine and keep it running. A Prada store interior became a Mature Period Since the late 1980s Gursky has been "concerned with the human species," as he put it exploring the inner workings of contemporary society, specifically globalism and consumerism.
Although many of his images appear to be abstract, upon close examination he is turning a critical yet detached eye toward the subject. Gursky conquered that challenge with bold geometric patterns that disclose a wealth of complexity as the viewer approaches. He writes from what he remembers and his different impressions. Like his landscapes and interiors, he approaches the stove from a high vantage point in a way that is slightly unusual for the viewer. The smooth strips of water and land move horizontally across the frame reminiscent of a Barnett Newman monochrome color field painting.