Nora realizes at the end that her gender role was keeping her from having personal fulfillment Urban. There are some traits that are attributed to men in the story such as logic, stability, and strength. All the Victorian writers, poets, and novelists depicted a traditional state of affairs where a woman used to be the symbol of exemplary sacrifice, unabated love for the members of the family, and unconditional adoration for her home. Whereas Ibsen includes the female perspective and allows the readers to become aware of the gender representation as such. Nora's husband was all about keeping up appearances and Nora fit right into his idea of what a wife should be. Nora depicts all of these traits throughout the play as she plays the role of a perfect Victorian woman all too well, except for the final moments in the play when she breaks away from these stereotypes.
In Act III, as Nora and Torvald return from the dance and Torvald discovers the letter, Nora begins her final transformation, fully cleansing the poison from herself. He makes it clear that the gender roles that the society forces on two genders are not right. He determines her worth from the image she creates for him. This financial dependence forced another form of weakness on Nora. Nora soon realized that she wasn't an individual living with Torvald and she wanted more. With their limited rights, women hoped liberation from their family because they were entirely complaisant to their husband. Torvald then retires to his study to work.
For instance, Nora tells Torvald at the end, You arranged everything according to your own taste, and so I got the same tastes as you or pretended to Ibsen, 1195. Linde and Krogstad, or Dr. In this pretext, the Feminist perspective theory came into existence. Plus, the significance of the cultural statement, about the unfairness of women's roles, would have been lost. One can see that the idea of male superiority can be referenced back to very early on in civilization to the day A Doll House was written.
A man who has such strong opinions about these things! Nora's transformation into a sensual dancer coincides with Torvald's desires, representing a willing acceptance of patriarchal rules. Even though they are represented in different manners they both highlight the gender norms during the time period they were written. The two plays present the relationship between gender and power and follow two women who go to extremes to become liberated from the restraints of their oppressive and dominating patriarchal society. Torvald returns from the bank, and Nora pleads with him to reinstate Krogstad, claiming she is worried Krogstad will publish libelous articles about Torvald and ruin his career. Linde to take a look at Nora because he feels proud of her successes in the party. Merriam Looks at the "Women's Revolution" in America.
Towards the end of the play, these gender roles get reversed and it is obvious to the audience that genders do not have monopoly over emotions. It does not seem likely that Torvald is aware of what is going on and how Nora is manipulating him. For example, the inspiration to write the play emanates from the experiences of a close friend to Ibsen called Laura. Nora depicts all of these traits throughout the play as she plays the role of a perfect Victorian woman all too well, except for the final moments in the play when she breaks away from these stereotypes. It does not seem likely that Torvald is aware of what is going on and how Nora is manipulating him. In this story, Nora, Mrs.
His approach to the subject matters is extremely artistic. Krogstad tells Nora that Torvald intends to fire him from the bank and asks her to intercede with Torvald to allow him to keep his job. To facilitate these liminal occasions, Turner states that sacred dances and performances are often utilized, such as the tarantella. Torvald is shown to be a typical example of a stereotypical Victorian male. She confides to Mrs.
Even, Mary Evans Ann had to name her George Eliot to hide and conceal her feminine identity. Despite Nora's desperation at self-expression and independence from Torvald, she must act subtly and find gaps within the rigid laws of proper behavior. He shows that men do not have monopoly on strength and women are not the only ones who feel despair, love, and anger. Rank leaves the study and mentions that he feels wretched, though like everyone he wants to go on living. Retrieved 30 May 2017. Sources: Norweigan National Commision.
The nanny returns with the children and Nora plays with them for a while until Krogstad creeps through the ajar door into the living room and surprises her. This will be done by looking at the characters Nora and Mrs. Feminists characterize women as alienated especially in capitalism, though radical feminists state alienation exists in all economic systems existing in the contemporary world. He depicts the lack of autonomy of married women in bourgeois society to express themselves and act independently of their husbands through the symbol of the tarantella. Since Nora accepts all of these pet names and Torvald's physical control over her, it is clear that she plays the role of that of a submissive feminine Victorian woman well.
. The tarantella serves to add suspense to the plot, depicting Nora's struggle to confront her inner turmoil in a way that is considered tolerable in the context of bourgeois society. And did she leave because she wanted a higher education or did she just want to find her true identity? In the final scene she tells Torvald that she is not being treated as an independent person with a mind of her own. It was written by Henrik Ibsen. Retrieved 12 January 2017. Women in Norway, were only useful to amuse their husband, and take care of their kids.
Get instant access to over 50,000 essays. In the nineteenth century, women writers, novelists, and poets were discouraged while producing their works. It is possible for them to be fanciful and reasonable. Women in Norway, were only useful to amuse their husband, and take care of their kids. Ibsen 187 Torvald says this to Nora when he finds out that she took out a loan without his consent and forging a signature. Commission 9 Industrialization in Norway resulted in the formation of the middle class and a shift to a consumer culture. This paper discusses how Nora and Torvald fit into stereotypical Victorian gender roles for the most story through their daily conduct and marriage while also exploring the reversal of these gender roles towards the end of the play.